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All Hail the Power of Jesus' Name

Words: Edward Perronet, 1779 · Tune "Coronation": Oliver Holden, 1793 · Public domain

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Verse 1

CAll hail the Fpower of CJesus' Gname!

GLet Cangels G7prostrate Cfall!

FBring forth the Croyal  diadem,

GAnd Ccrown Him  Lord of  all!

CBring forth the  royal  diadem,

CAnd  crown Him FLord of  all!

Verse 2

CYe chosen Fseed of CIsrael's Grace,

GYe Cransomed G7from the Cfall,

CHail Him who Fsaves you Cby His grace,

GAnd Ccrown Him  Lord of  all!

CHail Him who  saves you  by His grace,

CAnd  crown Him FLord of  all!

Verse 3

CLet every Fkindred, Cevery Gtribe,

GOn Cthis G7terrestrial Cball,

CTo Him all Fmajesty  ascribe,

GAnd Ccrown Him  Lord of  all!

CTo Him all  majesty  ascribe,

CAnd  crown Him FLord of  all!

Verse 4

CO that with Fyonder Csacred Gthrong

GWe Cat His G7feet may Cfall!

CWe'll join the Feverlasting  song,

GAnd Ccrown Him  Lord of  all!

CWe'll join the  everlasting  song,

CAnd  crown Him FLord of  all!

Chords in the key of C

  • C
  • F
  • G
  • G7

About this hymn

Words
Edward Perronet, first printed 1779, revised by John Rippon, 1787
Music
CORONATION, Oliver Holden, 1792; also MILES LANE, William Shrubsole, 1779, and DIADEM, James Ellor, 1838
Meter
8.6.8.6.8.6
In
3,893 hymnals
Scripture
Philippians 2:9-11, Revelation 4, Revelation 5

The story

The words showed up with no name on them, in the Gospel Magazine in November 1779. A fuller eight verse version followed in 1780. Edward Perronet wrote it. He ran with the Wesleys for a while, then fell out with John Wesley over whether Methodist preachers could serve the sacraments. What we sing now is really John Rippon's 1787 edit. He reworked the text, wrote a new last verse, and framed the whole thing around the crowning of Christ. Three tunes carry it. Americans mostly sing CORONATION, by Oliver Holden, a Massachusetts carpenter turned musician. The British sang MILES LANE. James Ellor wrote DIADEM in 1838, at nineteen years old.

Where it fits in a service

Often used as an opening hymn, a processional, and a closing song after a strong sermon. It also suits a crowning or praise theme, and choirs like the repeated last line.

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Why these chords work

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